We started out in World War 1, May 27 1918, at an infamous hospital in France. We heard rumors of an unanticipated German offensive, which smashed through a few French divisions. On the 28th of May, my character, Doctor Robert Lee Hampton, heard that some American and British divisions tried to offer some token resistance on the way to Reims. I’m stuck into an ambulance and driven (by a woman by name of Emma “Cheery” Patterson) who got a call to drive to pick up some injured men north of here, and try and get them back to the hospital before the German tidal wave arrives.
She asks me if I’d been to Military Hospital #5 before, and I reply in the negative. She’d been working there since the Spring, and notes that I should report to Major Parker, the Chief Surgeon, and that the chief nurse is Ms Ogilvy, who has a bad rep for being quite the tyrant. We speed onward.
Meanwhile, elsewhere, the three other PCs are part of a hodgepodge Allied division, forced to retreat. Six ambulances show up, and the PCs are all shoved into the same ambulance, in a very plot-convenient way.
I’m asked to make a Preparedness roll, and I roll a 6, spending 2 points from my pool of 5 for a total 8, which means my Pharmacy skill is improved by 1 (from 4 to 5) for the rest of the adventure. The others roll to see how injured they are, Jacques Tabarin Dupond has a mild head wound, but Philip Gibbs and Dr. Norman Addams were both injured. Norman has a fractured femur, while Phillip has a shell fragment wound to the left forearm. None are horrible or life threatening, but none are fun.
Gibbs is in shock, and Dr. Hampton steps in to treat him, successfully. We speed south towards Reims, with six total patients, plus the nurse and Dr. Hampton. As Hampton works frantically to patch up the head wound, Dupond recounts a vivid dream, dealing with reincarnation and past lives. He’s writing in a journal of his remembered dream as if he mightn’t see another tomorrow. Hampton assures him he will live to see another day, so he can write more slowly.
As he patches up the broken femur, he and Norman discuss his academic background (Citadel and UVA Med School), which Norman declares is respectable enough, since he’s an Oxford Don. Can he fence again? Yes, stay off it and you’re fine.
Finally, the shell fragment is lodged, but removable. “Can you believe the Jerried tried to kill me? Hell of a thing. Not my writing arm,” Gibbs notes, and gives a classic thin-lipped British smile.
We continue driving, and the ride is rocky but uneventful, up until the ripping linen sound of big guns tears through the air. Within seconds, the lead ambulance is destroyed, its wreckage blocking our way, and the broken bodies that are not flung about are rapidly burned to death. Cheery stops the ambulance, in shock. Perhaps she knew someone? Unknown, but Hampton shoves her out of the way and gets behind the wheel. He guns it, slamming through the wreckage, pushing it aside to continue through the shellfire pattern.
As we slam through the wreckage, both Hampton and Dupond note that, oddly, a flock of ravens were in the bombardment zone, and as we pass, they all take off together in a flock, and fly south, in the same direction as the hospital.
Matt and I both have Outdoorsman, so we automatically notice the ravens. Jaime elects to spend a point in Occult to get more info on what the flock might portend.
“Interesting,” says Hampton. “I’ve never seen ravens stay put in an active bombard zone. Birds know to fly to the hospital, though.”
“No,” says Norman. “Those were fan-tailed ravens, native to Egypt. There’s a passage in the Koran that indicates that a raven taught Cain how to bury his dead brother. The fact that they’re flying in our direction is . . . well. Death travels with us.”
Emma ‘Cheery’ Pattersonis still beside herself, having just witnessed, we find out, the detonation of her best friend. Dupond leans in and gives her a quote from Hawthorne: “All brave men love; for he only is brave who has affections to fight for, whether in the daily battle of life, or in physical contests.” He consoles her the best he can.
He spends a point of his Reassure pool to calm her and forge a relationship.
We drive for another hour or so, and come across the husk of what used to be lovely manor house, but which has since been shelled into oblivion. It is our military field hospital, surrounded by at least six tents, acting as portable triage and medical centers.
The unkindness of ravens has preceded us here. They decorate the landscape, perching on the tents, roofs, and other places where they can find purchase. The wounded PCs are placed in separate areas, and Dr Hampton is shuffled off to serve his purpose.
Norman overhears a man wandering around, shaking a reliquary of some sort at the ravens and the wounded. “To the scavenger of death, may you weigh each heart to be judged.” An unfamiliar phrase catches Norman’s ear. “What are you trying to save them from?,” Abd Nazari says in Arabic. “To keep the soul going in the right direction; we can pray to many gods,” the man notes. Clearly a reference to Anubis.
An obviously-frocked Catholic priest is traveling from area to area, giving blessings where possible, and Last Rites where not. He mutters darkly when Abd Nazari passes, noting “heathen should not be allowed in a good Christian hospice.”
Gibbs, a devout Catholic, engages him in conversation, and sympathizes with the priest, noting that such burdens are part of our journey here. The priest notes that the Arab is a lackey of Zenna Borden, an apparently “untouchable” nurse who is well-liked by Ogilvy, the head nurse – that in itself an oddity. “She seems strangely incompetent, even in this place. I’ve said too much, my son. Thank you for the cigarette.”
The GM calls for a Sense Trouble roll from Gibbs, who spends a point and nails it with a 7.
At the edge of his vision, he sees one of the injured, who was apparently hovering outside the tent, and clearly overhead the conversation, bolt away from the “arm tent” to the “leg pit.” Gibbs casually strolls after him, not obviously following him.
Nate notes he’s Shadowing, and chooses to spend 2 points. Rolls a total of 3.
Gibbs is stopped at the entrance by a fairly burly looking nurse, who tries to redirect him back to the “arm” tent. Hampton declares that Gibbs is less injured than he seems, and is serving as my assistant, since we’re understaffed.
This puts Gibbs, Norman, and Hampton in the same tent, at least for a moment. “What brings you to the leg tent?” Tensions between the good Father and the Arab praying to Anubis, and the eavesdropping stranger. Nothing more develops from this at the moment.
As Dupond wanders the grounds on his own, he notes the ravens almost seen to follow the funeral processions of the stream of dead and dying. As he walks, he notes that the dead are being buried in what seems to be old Roman ruins – an oddity.
Matt spends a point of his Architecture pool.
While the space was wide and open on the surface, it clearly showing Roman funerary stones. A piece of metal sticking out from the ground looks to be a bronze case used to hold parchment or something. Opening it, a piece of mouldy parchment is revealed, showing pictures that seem fairly meaningless at the time. He tucks the scroll case into his pack, for later study.
As Dupond tours the grounds, he encounters a uniformed Lieutenant, with a massive head wound, who is hobbling purposefully in his direction. As they pass, Dupond tips his hat politely, and the wounded Frenchman greets him back, saluting as much as he can. “You appear to have been gravely wounded, Lt.”
“Yes, I am Maurice Bowles. My sight is truly limited, and I would do well to return to my bed before night falls – I can not navigate the grounds except in brightest day.”
Matt spends another point of his Reassurance pool to bond with him.
Maurice takes Dupond’s reassurance and kind words graciously, and notes subtly that he has heard of a way to restore his sight, and if Dupond comes by his room later, he can discuss it in more detail.